The Lead from L. A.
I couldn't be more enthusiastic about LA's choice of young, fairly inexperienced conductors - Salonen, and now Dudamel - in preference to the greying Europeans of the East Coast. But one might argue that L.A. is an exception that proves the rule. In a city where movies are dominant, symphonic music has to fight for every crumb of attention. Youth - Hollywood's elixir - is one way to catch the eye.
I once asked Ernest Fleischmann while he managed the LA Phil if there was any interface between his company and the dream factories. He thought for a long while before replying, 'well, Walter Matthau's a subscriber...'
As for Jason's suggestion that 'it doesn't pay to ignore internal and external dissension when assessing the merits of music directors', if that were the case Mahler would never have been boss in Vienna, nor Solti at Covent Garden, nor Boulez at the NY Phil, and the musical horizon would be coloured a uniform shade of grey.