Saturday, 9 August 2008
Friday, 8 August 2008
Back to School Piano Sales Start Early
Meanwhile in Vancouver, this weekend (August 8 to 10th), Tom Lee Music will have their special 888 Steinway sale.
Today's Birthdays in Music: August 8 (Hétu, Chaminade)
Biography (Encyclopedia of Music in Canada)
The Joy of Composing (La Scena Musicale, July 2008)
Jacques Ducharme plays Hétu's "Ballade" from Suite Opus 41, No. 3 (live TV performance, 2007)
1857 - Cécile Chaminarde, Paris, France; composer, pianist
Cécile Chaminade: Sérénade, Op. 29 for piano, played by Phillip Sear
Thursday, 7 August 2008
In a critical condition (4)
'My editor wants me to interview pop stars,' complained one critic from the midwest. 'My review space has been cut to 300 words,' grouched another. 'My boss has never been to a concert in his life,' chimed a third.
So whose fault is that? I wondered. It occurred to me then that some of the senior colleagues were not keeping up with changes in editorial taste, dynamics and technologies, and a few of them looked well past their sell-by date. But seen from the editor's seat one could readily understand why US city newspapers were starting to cut back on classical coverage.
As editor, try explaining to your chief executive why you are holding a full staff job to report on an art that never makes news, an art that plays the same old music, year after year, with the same parade of expressionless faces on the platform. An art whose audience is greying and unattractive to advertisers. An art whose music director is an absentee European and whose few glamour soloists will only agree to talk about their new record or hair makeover.
An ex-chief of ASOL, the former trade organisation of American orchestras, asserted recently in this blogroll that newspapers were being derelict in their social duty by firing music critics. As usual, ASOL got it wrong.
It's not the newspapers that are to blame but the orchestras that over two decades failed to make enough news of any wider relevance to enable editors, many with the best intentions, to retain their music critics. Symphonic stasis is not the sole reason that music criticism is being extinguished across America, but if anyone is pointing fingers the first cause must surely be the stultifying complacency of American orchestras in recent years.
Today's Birthday in Music: August 7 (Husa)
Wednesday, 6 August 2008
Today's Birthdays in Music: August 6 (Strozzi, M.C. Moore)
Tadashi Miroku & Silvia Rambaldi perform Barbara Strozzi's "Che si può fare" (LakeComo Festival 2007)
1873 - Mary Carr Moore, Memphis, U.S.A.; composer, conductor
Tuesday, 5 August 2008
Today's Birthdays in Music: August 5 (A. Thomas, E. Kleiber)
Mady Mesplé sings "Je suis Titiana" from Thomas's Mignon (L'orchestre nationale de Paris, 1969)
1890 - Erich Kleiber, Vienna, Austria; conductor
Short biography and pictures
Erich Kleiber rehearses the Finale (Ode to Joy) of Beethoven's 9th Symphony (Czech Philharmonic Orchestra, 1949)
Monday, 4 August 2008
Today's Birthdays in Music: August 4 (Voigt, J. Thomas)
Deborah Voigt sings "Suicidio" from Ponchielli's La Gioconda (Barcelona, 2005)
1927 - Jess Thomas, Hot Springs, U.S.A.; opera tenor
JessThomas and Inge Borkh sing "O namenlose Freude!" from Beethoven's Fidelio (early 1990s)
Sunday, 3 August 2008
Today's Birthday in Music: August 3 (Lauro)
Historical recording of Antonio Lauro playing "Maria Cristina," a cradle song dedicated to his granddaughter
Waltz "El Marabino", played by José Gregorio Guánchez